Including a major David Lynch retrospective, plus seasons celebrating the Nouvelle Vague filmmakers who inspired Richard Linklater, a look at Gurinder Chadha and Tina Gharavi’s personal archives, and ...

Marion Cotillard’s impressive performance as a glacial screen diva is matched by newcomer Clara Pacini in Hadžihalilović’s coolly calibrated vision of The Snow Queen.

Iwaisawa Kenji’s animation attempts to capture the thrill of competitive running, but its underdeveloped characters leave the action feeling stilted and predictable.

Following a successful launch in Folkestone a few week’s back, our new Inside the Archive exhibition ventured to QUAD in Derby. Our visit coincided with their Frankenstein day, where the cinema ...

Sleaford Mods’ vocalist Jason Williamson stars as a violent poacher with a grudge against local ravers in a solid debut that has a little drop of psychedelia in its scrumpy.

Starring a young James Fox in his second ever film, The Magnet – which turns 75 this autumn – is a lesser-known Ealing comedy that provides a unique time-capsule of north-west England in another era.

From gravity-defying stunts to bullet-sprayed showdowns – as Ringo Lam’s blazing City on Fire returns in a new restoration, we remember the heyday of Hong Kong action movies.

As her latest dark fable The Ice Tower arrives in cinemas, we track back through the career of a French-Bosnian filmmaker who conjures up surreal, foreboding cinematic songs of innocence, evolution ...

James Vanderbilt’s film Nuremberg shares many similarities with David W. Rintels’ equally starry 2000 docuseries of the same name. Both track the establishment, processes and arguments of the ...

Gerard Johnson delivers another violent journey through a distinctly London brand of low life with a film about an estate agent in debt to gangsters.

David Osit’s film about the cultural phenomenon that was Chris Hasen’s ‘paedophile-hunting‘ TV series To Catch a Predator doesn’t just interrogate its ethics, it uses raw, unaired footage of the ...

This promotional still for a Michael Powell classic demonstrates the once common practice of applying paints and dyes to black-and-white images.