Lanvin, the world’s oldest continually operating couture house, founded in 1889, has unveiled a new chapter in its storied history with Peter Copping’s debut as artistic director.

Tailored trench coats and gowns with capes have entered the runway with Lanvin’s Autumn and Winter 2025 collection, “À LA MAISON.”  Artistic Director Peter Copping took inspiration from Jeanne Lanvin,

A model presents a creation from the FallWinter 2025-2026 collections by Lanvin during the Paris Fashion Week in P

The homecoming runway was a reference to the founder Jeanne Lanvin’s 1920s to 1930s rich legacy and a representation of a newfound spirit of the house

A model wears a creation for the men's Lanvin Fall-Winter 2025-2026 collection, that was presented in Paris, Sunday, Jan. 26, 2025. (AP Photo/)

Sacai, Japan’s biggest fashion powerhouse, brought the wild side to Paris Fashion Week with a collection that reimagined childhood nostalgia through a lens of cutting-edge design.

From Alessandro Michele's couture debut to Demna's special award, ELLE catches you up on everything you need to know.

Under Peter Copping, Lanvin’s Fall/Winter 2025 honored the late Jeanne Lanvin’s refined, timeless world with expertly-executed contemporary twists.

The menswear trends stemming from the fall 2025 collections this month paint a picture of an industry in transition. Designers often talk about liminal spaces, contrasts, and juxtapositions, and while they often reference their collections and the “tensions” they imbue their clothing with in their quest for novelty,

This weekend included many fashion-filled moments worth remembering. To begin, LaPointe’s Spring/Summer 2025 collection inspired by their muse, Oprah Winfrey is now available online. Days ago, BAPE and KidSuper revealed their new collaboration during Paris Men’s Fashion Week .

Statement Pieces” opened with more than 100 couture pieces from over 45 of the world’s top fashion houses, including Chanel, Hermès, Christian Dior, Jonathan Anderson, Iris van Herpen and Balenciaga.

Coming from Josué Thomas on the last afternoon of his debut standalone Paris presentation, however, it computed. The reason for this was neither the easel we were standing next to, nor the paint-spattered suiting tailored from Thomas’s twill drop cloths on the rails in the hall of this fancy apartment behind Avenue Montaigne.