Gorini had a good idea: he played another piece by Schubert, the composer’s own variation on that same Diabelli waltz—the ...

Kazuki Yamada, from Japan, is the music director of the City of Birmingham Symphony Orchestra, in England. That position has ...

Alongside this timeless insight, we are also treated to a healthy dose of Italian nationalism disguised in a Scottish ...

the building will be a unique asset for champions of social justice across sectors and geographies—a vibrant, fully ...

I m eet the Old Masters dealer Ben Hall at his private Upper East Side gallery and office, which sits in a five-story ...

Beethoven’s middle movement, Largo, is in E major. Bronfman played the opening like a hymn. The music had a religioso feeling ...

Daniel J. Mahoney on “A Summer with Pascal” by Antoine Compagnon, translated by Catherine Porter.

S oo n after the opening of the 1934 Venice Biennale, Juliana Force, the commissioner of that year’s U.S. pavilion, was ...

Michele H. Bogart on the statues of Central Park.

Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the ...

The Restless Vision” by Jackie Wullschläger.

Eric Gibson on the influence between the two contemporaries.