Alice in Wonderland, (1951), directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske Disney’s animated adaptation converts Lewis Carroll’s literary nonsense into a vivid, color-saturated nightmare of unyielding social pressure. Alice in Wonderland operates on the sharp friction between Alice’s rigid, well-mannered Victorian upbringing and the erratic, chaotic logic of Wonderland’s inhabitants. The film’s Technicolor aesthetic (anchored by Mary Blair’s iconic, avant-garde concept designs)